Cubase Pro v12.0.60 Incl V.R Patch b5 x64 WiN

Cubase Pro v12.0.60 WiN

P2P (Incl. V.R) | 30 March 2023 | 700 MB

Cubase Elements welcomes you to the world of Cubase, offering a streamlined music production environment with plenty of features that help seize the moment when musical creativity strikes. Sharing the same pristine audio quality as its larger siblings in the Cubase family, Cubase Elements provides the perfect starting point for intuitive song writing, studio-grade recordings and finalizing your mix. Do you want to elevate your sound to a new level? Cubase Elements is your next step.

Follow the flow
Cubase Elements can keep up with the pace with which your ideas flow. Whether you want to record your instruments and vocals or program cutting-edge beats, you will find all the creative tools and features in Cubase Elements that will guarantee an efficient and rewarding workflow. Improve your tracks with professional and precise editing and mixing capabilities and polish you productions with the top-notch channel strip in the integrated MixConsole — just exactly to the standards you expect from a Cubase-line product.

Get your private assistants
Composing music consists of finding an idea that you can elaborate into a full music composition. Cubase Elements makes it easy to harmonize and arrange your music with the innovative and unique Chord Pads and Arranger Track. Regardless whether you’re looking for further inspiration, a quick and easy way to play chords or try out different arrangements, Cubase Elements offers you maximum flexibility combined with a lightweight user interface to refine your ideas and get the best out of your music.

Your sound of music
Stay a step ahead of the rest with powerful instruments and awesome sounds. HALion Sonic SE, Groove Agent SE and Prologue — Cubase Elements provide a vast array of high-end sampled instruments, uplifting acoustic and electronic drums and grooves, state-of-the-art synths and experimental sound design tools. With the acclaimed VST Amp Rack tone suite all the amps you need stand right by your side to give your music that very individual tone.

New Features:
Cubase 12 features significant new features and workflow enhancements which make composing, recording, and mixing music even more creatively rewarding. From improved MIDI Remote integration and improved editing tools to enhanced audio-to-MIDI and new effects, Cubase 12 will bring your creative ideas to life better – and faster – than ever.

MIDI Remote integration
MIDI controllers are essential to every music production setup and, in Cubase 12, integrating them has reached a new level. Built around the new concept of MIDI Remote Scripts, Cubase will automatically detect your device and map the controls. If there is no script for your device yet, you can easily create your own with the MIDI Controller Surface Editor. You can then conveniently connect controls and parameters with the Mapping Assistant.

VariAudio with Scale Assistant
Whether you want to get creative with melodies or correct the pitch of your recordings, the Scale Assistant in VariAudio brings two powerful tools together to make pitch editing a breeze. Just set the scale and follow the Chord Track or let the Scale Assistant suggest the scale, based on your recorded notes. You can then instantly quantize the pitch of your recording or snap the VariAudio pitch editing to the scale. Pitch editing has never been so easy!

Audio to MIDI chords
Have you forgotten what you just played? Don’t worry. Just drag your audio recording to the Chord Track and Cubase will lay out the chord progression for you. And if the detection does not match your scale, the Chord Assistant can suggest the nearest alternatives based on the following chords. The new Create Chord Events from Audio feature in Cubase blurs the borders between audio and MIDI, letting you focus on the music. Just like it should be.

FX Modulator
You can really breathe life into your sounds with the advanced, multi-effect modulation of FX Modulator. From classic ducking effects to exciting rhythmic patterns, it offers brand new ways to get creative. Create custom shaped LFOs and modulate up to six integrated effect modules at once. The LFO can also be triggered via MIDI or use one or more side-chain inputs, letting the LFO follow the incoming signals. And if you don’t want to create your own styles, you will find inspiration in many carefully designed presets.

AudioWarp improvements
You naturally want to create perfect recordings… but we are all human! The Free Warp tool lets you now edit your audio recordings and correct timings directly in the Project window. You can adjust multiple tracks at once in Group Editing, while the new phase-coherent AudioWarp mode helps you avoid phase issues. We have improved the editing workflow in the Sample Editor with new grid options and zoom modes, and streamlined the user interfaces – all helping you to get closer to perfection.

Editing workflow improvements
When deadlines are tight, you need to work fast. We have improved the editing workflows with new functions and key commands to help. The new nudge grid options let you edit independently from the project grid. Additionally, we have added key commands to the Range Selection tool for easier navigation. There are also new key commands to slip event content, adding fades and sizing events with fades. So there are no more excuses for not meeting deadlines (but we won’t tell your clients)!

Raiser is the latest of Cubase’s dynamic processing tools and we think it might quickly move to the top of your signal chain. Its ultra-fast attack times let you dramatically increase the loudness of your projects, without compromising on transients or transparency. It excels in aggressive limiting for drums and guitars, as well as in smooth processing of vocals and even full mixes. Raiser is a versatile powerhouse that will add the final touch to your mix.

Logical Editor improvements
Thanks to Cubase’s powerful logical functions, you can customize and build your own workflows in many ways. We have improved the project and MIDI logical editors, the input transformer and the transformer MIDI plug-in with new user interfaces, new preset browsers, and many new functions and filters. We have also created a full set of new presets to get the most from the new features and inspire you to customize your own with ease.

Verve – a sonic masterpiece
A felt piano that is so beautiful and warm, so dreamy and melancholic, so detailed and pure. Recorded in the Yamaha Studios in LA, Verve was created to create a sonic masterpiece that allows you to tell a new story with every single note you play. You can give Verve a new tone by layering it with additional textures, creating never before heard sounds for your compositions. Verve is not just a piano; it is sonic emotions and stories.

Pro improvements
For audio professionals, we have added several new features from our advanced postproduction system Nuendo. These include the option to add a second video track, a fourth MixConsole, and to export multiple selected events at once. Thanks, Nuendo!

1. Install Steinberg Library Manager 3.2.20.exe
2. Install Cubase Pro
3. Install Activation Manager Unlocker b5.exe


We have improved the following features and functionalities:

Audio Extensions
We resolved an issue when bouncing tracks with audio extensions on tracks applied.
The reference track is now visible in SynchroArts Revoice when used as an audio extension.
Undo and redo operations are not applied correctly in Melodyne extensions.
The Antares Auto Tune extension will now open automatically in a separate window instead of the lower zone.

We improved the latency compensation when exporting audio in projects with external hardware routings.
We have improved the performance when using “Export Selected Tracks” or “Import Track Archive” in projects containing a large number of hitpoints.
Exported Broadcast Wave files now contain the correct channel description iXML metadata.
Surround channels are now exported correctly when using Anymix Pro for upmixing for all supported buffer sizes.

MIDI Remote
We have added a new MIDI Remote factory script for the HXW Avatar EMK-25 MIDI keyboard.
The MIDI Remote API documentation is now available online via Github.
Focus Quick Controls now continue to work for plug-ins which have been moved to another channel.
The MIDI Remote Surface Editor now supports multiple 14 bit/14 bit NRPN controls with different CC numbers.
We have resolved an issue where specific OS language settings could lead to parameter mappings shown as “Missing” in the Mapping Assistant when using the context menu function “Pick for MIDI Remote Mapping” in the plug-in interface.
Changing mappings in the Mapping Assistant now works as expected in the mappings list.
We resolved an issue where the setup of a Mixer Bank Zone involving multiple MIDI remote devices leading to lost parameter assignments.

Recording over existing MIDI parts in Linear/Replace mode and active Pre-Roll no longer plays the first note event.
Short MIDI parts can be now properly selected after recording.
Audio objects are now still connected to the Renderer for Dolby Atmos after re-assigning their source tracks.
When starting the application for the first time on macOS systems, the built-in audio device is now selected automatically.
We resolved an issue where the Edit menu could not be accessed when “Rename First Selected Track” was added in a macro command.
Quick Controls now continue to work when plug-ins are loaded by FX Chain preset.
Quick Controls now work as expected on duplicated tracks.
The octave parameter value range in the Pitch section of the Sampler Control is now set to +/-5.
Due to technical reasons the “Microsoft GS Wavetable Synth” MIDI Port provided by the operating system is no longer listed in the MIDI Port section of the Studio Setup and cannot be selected as MIDI output for tracks anymore. In case the “Missing Ports” window appears when loading projects, consider to re-map this port to another one.

We resolved an issue in REVerence with locating impulse response files.
We resolved an issue with MixConvert settings not being stored with the project.
We resolved an issue with Tube Compressor creating noise when being rendered including the full signal path.

We have improved the stability and performance in the following use cases:
When entering specific special characters in the marker window.
When selecting an Embody Immerse profile in the AmbiDecoder plug-in running natively on Apple silicon computers.
When using the Anymix Pro panner in projects with a 96 kHz sample rate.
When using Antares Auto Tune 10 as an ARA extension.
When exporting audio in projects with SuperVision used in the Control Room.
When changing VariAudio parameters on shared copies of Audio Events.


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